Friday 25 May 2012

Inner Fear, First Born Fear (2012)


Tracklist:

  1. I.N.T.R.O
  2. Fear Proclaimed
  3. Imprisoned in Forgotten Dungeon
  4. Lustmistress
  5. I Watch the Blood Forever
  6. Inner Fear
  7. Love Is a Poisonous Cunt
  8. Our Crimson Deeds
  9. Akhu
  10. Secrets Holders


 
A dingy band name, a suggestive album title, but, all in all, not your regular bundle of darkened thrash.  Inner Fear were first established by current Cradle of Filth drummer, Marthus Skaroupka, way back in 1997.  But, through one thing and another, they haven’t been able to produce much before now; this is the band’s full-length debut.  With a new cast accompanying Mathus’ drums and keys, including male and female vocalists, Sergey Baidikov and Viktorija Anselmo, Ashok Smerda and Khopek Fausek on guitars, and Sergey Karshev on bass, this Czech project seems finally have come to fruition.

Sunday 20 May 2012

Engel, Blood of Saints (2012)


Tracklist:

  1. Question Your Place
  2. Frontline
  3. Feel Afraid
  4. Numb
  5. Cash King
  6. One Good Thing
  7. Blood of Saints
  8. Down To Nothing
  9. Drama Queen
  10. In Darkness
  11. Journeys End


Engel have been going some time, and, despite a pretty good reputation, they were a band I’d had little to do with before now.  A five-piece outfit from Sweden’s famed Gothenburg school of melodic extremes, Blood of Saints is their third studio album, and has already received some high-scoring reviews.  This is a 38-minute collection of 3- and 4-minute metal anthems, sporting an adventurous mix of death, modern, and electronic sounds, in a style which immediately had me thinking to Scar Symmetry.  Certainly, there are similarities: continuous interplay between death and clean – but very much heavy metal – vocals; driving riffs and beats; and pounding techno blasts.  Alongside some hurried youtube research into their past material, all this gave me high hopes.

Tuesday 15 May 2012

Xandria, Neverworld’s End (2012)


Tracklist:

  1. A Prophesy of Worlds to Fall
  2. Valentine
  3. Forevermore
  4. Euphoria
  5. Blood on my Hands
  6. Soulcrusher
  7. The Dream is Still Alive
  8. The Lost Elysion
  9. Call of the Wind
  10. A Thousand Letters
  11. Cursed
  12. The Nomad’s Crown
  13. When the Mirror Cracks (bonus track)

“Once there was a time of a never-ending dream”.  Sound familiar?*  This is Xandria’s first full-length release since 2007, and, sporting luxurious strings, moaning guitars, and a new frontwoman, Neverworld’s End sees the band reaching towards the pinnacle of the symphonic metal genre.  It shows, for better and for worse.

Thursday 10 May 2012

In Mourning, The Weight of Oceans (2012)


Tracklist:

  1. Colossus
  2. A Vow to Conquer the Ocean
  3. From a Tidal Sleep
  4. Celestial Tear
  5. Convergence
  6. Sirens
  7. Isle of Solace
  8. The Drowning Sun
  9. Voyage of a Wavering Mind



The Weight of Oceans is the third full-length album of Swedish metalheads, In Mourning, and one which will undoubtedly maintain their reputation as one of the sharpest, technically gifted, and adept bands in the business.  The deep, tightly woven textures, cutting guitar melodies, and complex rhythms which brought their previous releases so much acclaim are ever-present. 

Thursday 3 May 2012

Riverain, Overstepping the Verge (2010)


Tracklist:

  1. Falling Asleep (intro)
  2. The Dream
  3. Breaking Test
  4. Heart of Steel
  5. Wizard
  6. Tears Shed in the Sand
  7. Madman
  8. K-129
  9. Look Me in the Eyes
  10. Spirits of the Forest
  11. The Dream Ends (outro)

It’s not exactly new, but I won’t pretend its not a pleasure to have this album for my first review.  Little-known Russian band, Riverain, are a five-piece outfit, sporting the growling female vocals of founder-member Anastasia Ligotskaya alongside four guitar, bass, and drum playing men.  That’s where the certainties end.  Riverain are a group typically labelled melodic death metal, but they don’t seem to bothered with stuffing themselves into any pigeon holes.  “The band’s actual style”, reads their webpage, “can be described as varying from melodic death and modern metal to progressive metal with art rock touch.”